Fight club film

Fight Club Film DVD und Blu-ray

Als ein unter Schlaflosigkeit leidender Unternehmer dem dubiosen Tyler Durden begegnet, gründen die beiden eine kathartische Untergrundvereinigung der Gewalt. Fight Club ist ein US-amerikanischer Psychothriller des Regisseurs David Fincher aus dem Jahr nach dem gleichnamigen Roman von Chuck Palahniuk. Fight Club steht für: Fight Club (Film), US-amerikanischer Film von David Fincher (); Fight Club (Roman), Roman von Chuck Palahniuk (). Dies ist eine. Fight Club ein Film von David Fincher mit Brad Pitt, Edward Norton. Inhaltsangabe: Ein Yuppie (Edward Norton) findet beim charismatischen Tyler Durden (Brad. David Finchers Adaption Fight Club nach dem gleichnamigen Roman von Chuck Palahniuk entlässt Brad Pitt & Edward Norton in die Wirren ihrer Zeit.

fight club film

Fight Club ist ein US-amerikanischer Psychothriller des Regisseurs David Fincher aus dem Jahr nach dem gleichnamigen Roman von Chuck Palahniuk. Fight Club - der Film - Inhalt, Bilder, Kritik, Trailer, Kinostart-Termine und Bewertung | gatstuberg.se Ich kann den Film nur weiterempfehlen. Einer der besten Filme der 90er. Lesen Sie weiter. Eine Person fand diese Informationen. Ich kann den Film nur weiterempfehlen. Einer der besten Filme der 90er. Lesen Sie weiter. Eine Person fand diese Informationen. Er predigt toxische Männlichkeit und erschafft ein faschistisches Terror-Netzwerk - trotzdem ist Tyler Durden aus “Fight Club” eine der. Kellerprügeleien, Seife aus Menschenfett und Meat Loaf mit Riesenbrüsten: War der anarchische Film "Fight Club" cool oder voll daneben? Fight Club - der Film - Inhalt, Bilder, Kritik, Trailer, Kinostart-Termine und Bewertung | gatstuberg.se Im Film Fight Club von lebt der an Schlaflosigkeit leidende Hauptdarsteller, dessen richtigen Namen wir den ganzen Film über nicht. Es handelt sich dabei um elektronische Musik ähnlich dem Downbeatmit vielen Soundeffekten, die besonders gegen Ende des Filmes die verstörende Wirkung auf den Zuschauer noch see more. Der Beau und der Prügelklub: Brad Pitt l. Brad Pitt. Meat Loaf. Man hat nur zwei Figuren zur Auswahl auch wenn more info, Spoiler, die gleiche Person sind : Https://gatstuberg.se/serien-online-stream-kostenlos/resident-evil-stream.php den namenlosen Erzähler, gespielt von Edward Norton: Stream brГјcke nach terabithia humor- und trostloser Mann, fight filme in einem geisteszermürbenden Bürojob. Und Frauen wollen ihn nicht bluten sehen. Die Antwort gibt Brad Read more auf der Leinwand. Mit lädierten Gesichtern - aber zufriedener. Seitenverhältnis. Gerade jetzt wäre also der richtige Please click for source, sich auf die Kerne der zwei Filme zu besinnen.

Let's ignore the advice and talk about "Fight Club". This film was a milestone; although it bombed at the box office, Fincher's cinematic language left a mark that can still be felt now, 14 years later, on many current releases.

Despite the risky 'cutting edge' nature of the film, Fincher got a huge budget for this and it shows: the camera effects and the whole production design are amazing.

This movie has a raw energy that grips me every time I watch it. What a crazy, fun ride! Whether it is a very clever satire or pure testosterone going on a rampage - both are fine by me.

A film so visually stunning and sexy, with career best performances by all involved - welcome to movie heaven. Sign In. Keep track of everything you watch; tell your friends.

Full Cast and Crew. Release Dates. Official Sites. Company Credits. Technical Specs. Plot Summary. Plot Keywords. Parents Guide.

External Sites. User Reviews. User Ratings. External Reviews. Metacritic Reviews. Photo Gallery. Trailers and Videos.

Crazy Credits. Alternate Versions. Rate This. An insomniac office worker and a devil-may-care soapmaker form an underground fight club that evolves into something much, much more.

Director: David Fincher. Writers: Chuck Palahniuk novel , Jim Uhls screenplay. Watch on Prime Video included with Prime.

Added to Watchlist. From metacritic. What's New on Prime Video in June. Related News Agents of S. Top Movies Bucket List.

Our Favorite '90s Movie Soundtracks. Great Plot Twist. Great Movies. Amazingly overrated movies.

Favorite s Films. Share this Rating Title: Fight Club 8. Use the HTML below. You must be a registered user to use the IMDb rating plugin.

The movies that are as good as the original books? What year did you register to IMDb movie-wise? Top Rated Movies 11 Nominated for 1 Oscar.

Edit Cast Cast overview, first billed only: Edward Norton The Narrator Brad Pitt Tyler Durden Meat Loaf Richard Chesler Richmond Arquette Intern David Andrews Thomas George Maguire Group Leader Eugenie Bondurant Weeping Woman Helena Bonham Carter Marla Singer Christina Cabot Speaker Rachel Singer Chloe Christie Cronenweth Airline Attendant Tim DeZarn Learn more More Like This.

Pulp Fiction Crime Drama. Forrest Gump Drama Romance. Se7en Leonard Termo , Van Quattro, Markus Redmond , and Michael Girardin appear as members of law enforcement also involved in the fight club.

Director David Fincher said Fight Club is a coming of age film, like the film The Graduate but for people in their 30s.

Fincher described the Narrator as an " everyman "; [7] the character is identified in the script as "Jack", but left unnamed in the film.

By the start of the film, he has "killed off" his parents. With Tyler Durden, he kills his god by doing things they are not supposed to do.

To complete the process of maturing, the Narrator has to kill his teacher, Tyler Durden. The character is a s inverse of the Graduate archetype: "a guy who does not have a world of possibilities in front of him, he has no possibilities, he literally cannot imagine a way to change his life.

While Tyler is who the Narrator wants to be, he is not empathetic and does not help the Narrator face decisions in his life "that are complicated and have moral and ethical implications".

Fincher explained: "[Tyler] can deal with the concepts of our lives in an idealistic fashion, but it doesn't have anything to do with the compromises of real life as modern man knows it.

Which is: you're not really necessary to a lot of what's going on. It's built, it just needs to run now. Screenwriter Jim Uhls described the film as a romantic comedy , explaining: "It has to do with the characters' attitudes toward a healthy relationship, which is a lot of behavior which seems unhealthy and harsh to each other, but in fact does work for them—because both characters are out on the edge psychologically.

The Narrator is comfortable being personally connected to Tyler, but becomes jealous when Tyler becomes sexually involved with Marla.

When the Narrator argues with Tyler about their friendship, Tyler tells him that being friends is secondary to pursuing the philosophy they have been exploring.

The Narrator, an unreliable narrator , is not immediately aware that he is mentally projecting Tyler. While Tyler desires "real experiences" of actual fights like the Narrator at first, [17] he manifests a nihilistic attitude of rejecting and destroying institutions and value systems.

Tyler's initiatives and methods become dehumanizing; [18] he orders around the members of Project Mayhem with a megaphone similar to camp directors at Chinese re-education camps.

Fight Club examines Generation X angst as '"the middle children of history". Fincher described the Narrator's immersion: "It was just the idea of living in this fraudulent idea of happiness.

Fight Club also parallels the film Rebel Without a Cause ; both probe the frustrations of the people in the system.

Norton said of the Beetle, "We smash it We're rooting for ball teams, but we're not getting in there to play.

We're so concerned with failure and success—like these two things are all that's going to sum you up at the end.

The violence of the fight clubs serves not to promote or glorify combat, but for participants to experience feeling in a society where they are otherwise numb.

Isn't the point of fascism to say, 'This is the way we should be going'? But this movie couldn't be further from offering any kind of solution.

The novel Fight Club by Chuck Palahniuk was published in Before its publication, a Fox Searchlight Pictures book scout sent a galley proof of the novel to creative executive Kevin McCormick.

The executive assigned a studio reader to review the proof as a candidate for a film adaptation, but the reader discouraged it.

McCormick then forwarded the proof to producers Lawrence Bender and Art Linson , who also rejected it. Producers Josh Donen and Ross Bell saw potential and expressed interest.

They arranged unpaid screen readings with actors to determine the script's length, and an initial reading lasted six hours.

The producers cut out sections to reduce the running time, and they used the shorter script to record its dialogue.

Ziskin initially considered hiring Buck Henry to write the adaptation, finding Fight Club similar to the film The Graduate , which Henry had adapted.

When a new screenwriter, Jim Uhls , lobbied Donen and Bell for the job, the producers chose him over Henry. Bell contacted four directors to direct the film.

Bryan Singer received the book but did not read it. Danny Boyle met with Bell and read the book, but he pursued another film.

David Fincher , who had read Fight Club and had tried to buy the rights himself, talked with Ziskin about directing the film. He hesitated to accept the assignment with 20th Century Fox at first because he had an unpleasant experience directing the film Alien 3 for the studio.

To repair his relationship with the studio, he met with Ziskin and studio head Bill Mechanic. Producer Art Linson, who joined the project late, met with Pitt regarding the same role.

Linson was the senior producer of the two, so the studio sought to cast Pitt instead of Crowe. For the role of the unnamed Narrator, the studio desired a "sexier marquee name" such as Matt Damon to increase the film's commercial prospects; it also considered Sean Penn.

Fincher instead considered Norton based on his performance in the film The People vs. Larry Flynt. Ripley and Man on the Moon. He was cast in Runaway Jury , but the film did not reach production.

He could not accept the offer immediately because he still owed Paramount Pictures a film; he had signed a contractual obligation with Paramount to appear in one of the studio's future films for a smaller salary.

Norton later satisfied the obligation with his role in the film The Italian Job. The pieces were restored after filming concluded.

Fincher's first choice for the role of Marla Singer was Janeane Garofalo , who objected to the film's sexual content.

Uhls started working on a draft of the adapted screenplay, which excluded a voice-over because the industry perceived at the time that the technique was "hackneyed and trite".

When Fincher joined the film, he thought that the film should have a voice-over, believing that the film's humor came from the Narrator's voice.

When Pitt was cast, he was concerned that his character, Tyler Durden, was too one-dimensional. Fincher sought the advice of writer-director Cameron Crowe , who suggested giving the character more ambiguity.

Fincher also hired screenwriter Andrew Kevin Walker for assistance. He invited Pitt and Norton to help revise the script, and the group drafted five revisions in the course of a year.

Palahniuk praised the faithful film adaptation of his novel and applauded how the film's plot was more streamlined than the book's.

Palahniuk recalled how the writers debated if film audiences would believe the plot twist from the novel. Fincher supported including the twist, arguing, "If they accept everything up to this point, they'll accept the plot twist.

If they're still in the theater, they'll stay with it. The Narrator finds redemption at the end of the film by rejecting Tyler Durden's dialectic, a path that diverged from the novel's ending in which the Narrator is placed in a mental institution.

Fincher refused, so Milchan threatened Mechanic that New Regency would withdraw financing. Mechanic sought to restore Milchan's support by sending him tapes of dailies from Fight Club.

After seeing three weeks of filming, Milchan reinstated New Regency's financial backing. The fight scenes were heavily choreographed, but the actors were required to "go full out" to capture realistic effects such as having the wind knocked out of them.

She designed an extra's ear to have cartilage missing, inspired by the boxing match in which Mike Tyson bit off part of Evander Holyfield 's ear.

Filming lasted days, [42] during which Fincher shot more than 1, rolls of film, three times the average for a Hollywood film. Sets were also built in Century City.

The interior was given a decayed look to illustrate the deconstructed world of the characters. Fincher compared Fight Club to his subsequent, less complex film Panic Room : "I felt like I was spending all my time watching trucks being loaded and unloaded so I could shoot three lines of dialogue.

There was far too much transportation going on. Fincher used the Super 35 format to film Fight Club since it gave him maximum flexibility to compose shots.

He hired Jeff Cronenweth as cinematographer; Cronenweth's father Jordan Cronenweth had been cinematographer for Fincher's film Alien 3 , but left midway through production due to Parkinson's disease.

Fincher explored visual styles in his previous films Seven and The Game , and he and Cronenweth drew elements from these styles for Fight Club.

Fincher and Cronenweth applied a lurid style, choosing to make people "sort of shiny". The scenes with Tyler were described by Fincher as "more hyper-real in a torn-down, deconstructed sense—a visual metaphor of what [the Narrator is] heading into".

The filmmakers used heavily desaturated colors in the costuming, makeup, and art direction. Fincher and Cronenweth drew influences from the film American Graffiti , which applied a mundane look to nighttime exteriors while simultaneously including a variety of colors.

The crew took advantage of both natural and practical light. Fincher sought various approaches to the lighting setups; for example, he chose several urban locations for the city lights' effects on the shots' backgrounds.

The crew also embraced fluorescent lighting at other practical locations to maintain an element of reality and to light the prostheses depicting the characters' injuries.

Fight Club was filmed mostly at night, and Fincher filmed the daytime shots in shadowed locations. The crew equipped the bar's basement with inexpensive work lamps to create a background glow.

Fincher avoided stylish camerawork when filming early fight scenes in the basement and instead placed the camera in a fixed position.

In later fight scenes, Fincher moved the camera from the viewpoint of a distant observer to that of the fighter.

The scenes with Tyler were staged to conceal that the character was a mental projection of the unnamed Narrator. Tyler was not filmed in two shots with a group of people, nor was he shown in any over-the-shoulder shots in scenes where Tyler gives the Narrator specific ideas to manipulate him.

In scenes before the Narrator meets Tyler, the filmmakers inserted Tyler's presence in single frames for subliminal effect.

While Cronenweth generally rated and exposed the Kodak film stock normally on Fight Club , several other techniques were applied to change its appearance.

Flashing was implemented on much of the exterior night photography, the contrast was stretched to be purposely ugly, the print was adjusted to be underexposed , Technicolor 's ENR silver retention was used on a select number of prints to increase the density of the blacks, and high-contrast print stocks were chosen to create a "stepped-on" look on the print with a dirty patina.

Haug assigned the visual effects artists and experts to different facilities that each addressed different types of visual effects: CG modeling, animation, compositing, and scanning.

Haug explained, "We selected the best people for each aspect of the effects work, then coordinated their efforts.

In this way, we never had to play to a facility's weakness. Fincher also used previsualized footage of challenging main-unit and visual effects shots as a problem-solving tool to avoid making mistakes during the actual filming.

The film's title sequence is a second visual effects composition that depicts the inside of the Narrator's brain at a microscopic level; the camera pulls back to the outside, starting at his fear center and following the thought processes initiated by his fear impulse.

The company mapped the computer-generated brain using an L-system , [47] and the design was detailed using renderings by medical illustrator Katherine Jones.

The pullback sequence from within the brain to the outside of the skull included neurons , action potentials , and a hair follicle.

Haug explained the artistic license that Fincher took with the shot, "While he wanted to keep the brain passage looking like electron microscope photography , that look had to be coupled with the feel of a night dive—wet, scary, and with a low depth of field.

Midway through the film, Tyler Durden points out the cue mark —nicknamed "cigarette burn" in the film—to the audience.

The scene represents a turning point that foreshadows the coming rupture and inversion of the "fairly subjective reality" that existed earlier in the film.

Fincher explained: "Suddenly it's as though the projectionist missed the changeover, the viewers have to start looking at the movie in a whole new way.

Fincher was concerned that bands experienced in writing film scores would be unable to tie the themes together, so he sought a band which had never recorded for film.

He pursued Radiohead , [12] but singer Thom Yorke declined as he was recovering from the stress of promoting their album OK Computer.

Dust Brothers performer Michael Simpson explained the setup: "Fincher wanted to break new ground with everything about the movie, and a nontraditional score helped achieve that.

Filming concluded in December , and Fincher edited the footage in early to prepare Fight Club for a screening with senior executives.

They did not receive the film positively and were concerned that there would not be an audience for the film.

The studio further delayed the film's release, this time to autumn, citing a crowded summer schedule and a hurried post-production process.

Marketing executives at Fox Searchlight Pictures faced difficulties in marketing Fight Club and at one point considered marketing it as an art film.

They considered that the film was primarily geared toward male audiences because of its violence and believed that not even Pitt would attract female filmgoers.

Research testing showed that the film appealed to teenagers. The firm proposed a bar of pink soap with the title "Fight Club" embossed on it as the film's main marketing image; the proposal was considered "a bad joke" by Fox executives.

Fincher also released two early trailers in the form of fake public service announcements presented by Pitt and Norton; the studio did not think the trailers marketed the film appropriately.

The studio advertised Fight Club on cable during World Wrestling Federation broadcasts, which Fincher protested, believing that the placement created the wrong context for the film.

Despite the film's top placement, its opening gross fell short of the studio's expectations. The British Board of Film Classification reviewed Fight Club for its November 12, release in the United Kingdom and removed two scenes involving "an indulgence in the excitement of beating a defenseless man's face into a pulp".

The board assigned the film an 18 certificate, limiting the release to adult-only audiences in the UK. The BBFC did not censor any further, considering and dismissing claims that Fight Club contained "dangerously instructive information" and could "encourage anti-social behavior ".

The board decided, "The film as a whole is—quite clearly—critical and sharply parodic of the amateur fascism which in part it portrays. Its central theme of male machismo and the anti-social behaviour that flows from it is emphatically rejected by the central character in the concluding reels.

Fincher supervised the composition of the DVD packaging and was one of the first directors to participate in a film's transition to home media.

The film was released in two DVD editions. Julie Markell, 20th Century Fox's senior vice president of creative development, said the DVD packaging complemented Fincher's vision: "The film is meant to make you question.

The package, by extension, tries to reflect an experience that you must experience for yourself.

The more you look at it, the more you'll get out of it. The title "Fight Club" was labeled diagonally across the front, and packaging appeared tied with twine.

Markell said, "We wanted the package to be simple on the outside, so that there would be a dichotomy between the simplicity of brown paper wrapping and the intensity and chaos of what's inside.

The Laserdisc edition was only released in Japan on May 26, [77] and features a different cover art, as well as one of the very few Dolby EX soundtracks released on LD.

It includes a featurette after the film, "Behind the Brawl". Fincher got permission from Barrymore to include the fake menu screen.

A newspaper reported, "Many loved and hated it in equal measures. Writing for the Australian newspaper, Christopher Goodwin stated: " Fight Club is shaping up to be the most contentious mainstream Hollywood meditation on violence since Stanley Kubrick 's A Clockwork Orange.

She wrote that Fight Club carried a message of "contemporary manhood", and that, if not watched closely, the film could be misconstrued as an endorsement of violence and nihilism.

Water, even when it's polluted, is the source of life; blood, even when it's carelessly spilled, is the symbol of life being fully lived.

To put his point simply: it's better to be wet than dry. Cineaste ' s Gary Crowdus reviewed the critical reception in retrospect: "Many critics praised Fight Club , hailing it as one of the most exciting, original, and thought-provoking films of the year.

They felt such scenes served only as a mindless glamorization of brutality, a morally irresponsible portrayal, which they feared might encourage impressionable young male viewers to set up their own real-life fight clubs in order to beat each other senseless.

The site's consensus reads, "Solid acting, amazing direction, and elaborate production design make Fight Club a wild ride. Fight Club was one of the most controversial and talked-about films of the s.

Like other films Magnolia , Being John Malkovich , and Three Kings , Fight Club was recognized as an innovator in cinematic form and style since it exploited new developments in filmmaking technology.

Following Fight Club ' s release, several fight clubs were reported to have started in the United States. A "Gentleman's Fight Club" was started in Menlo Park, California in and had members mostly from the tech industry.

In , an unwilling participant from a local high school was injured at a fight club in Arlington, Texas , and the DVD sales of the fight led to the arrest of six teenagers.

Helder's goal was to create a smiley pattern on the map of the United States, similar to the scene in Fight Club in which a building is vandalized to have a smiley on its exterior.

The fights were reportedly filmed and uploaded to Snapchat , and involved approximately a "dozen boys and girls".

In the videos, one of the perpetrators, Erica Kenny, can be heard making references to Fight Club.

A video game adaptation of the film, titled Fight Club , was released by Vivendi in for the PlayStation 2 , Xbox , and for mobile phones.

The game was a critical and commercial failure, and was panned by such publications and websites as GameSpot , Game Informer , and IGN.

In , two viral mash-up videos featuring Fight Club were released. It portrayed Ferris as Tyler Durden and Cameron as the narrator, "claiming to see the real psychological truth behind the John Hughes classic".

From Wikipedia, the free encyclopedia. This article is about the film. For the novel the film is based on, see Fight Club novel. For other uses, see Fight Club disambiguation.

Theatrical release poster. Brad Pitt left in and Edward Norton right in For academic interpretations of the film, see Interpretations of Fight Club.

We're designed to be hunters and we're in a society of shopping. There's nothing to kill anymore, there's nothing to fight, nothing to overcome, nothing to explore.

In that societal emasculation this everyman [the Narrator] is created. We decided early on that I would start to starve myself as the film went on, while [Brad Pitt] would lift and go to tanning beds; he would become more and more idealized as I wasted away.

United States portal Film portal. Box Office Mojo. Retrieved November 11, British Film Institute.

Archived from the original on February 24, Retrieved February 16, American Film Institute. Archived from the original on February 16, Archived from the original on December 6, Retrieved April 30, Bloomsbury Publishing.

The New York Times. Retrieved July 24, January Archived from the original on December 9, Retrieved December 2, Movie Gallery.

Archived from the original on October 11, Retrieved March 24, April 19, The Daily Telegraph. Archived from the original on April 30, Yale Herald.

Archived from the original on April 17, Retrieved March 26, March 15, October 10, Calgary Sun. Toronto Sun. Archived from the original on December 11, Retrieved May 13, Retrieved November 30, Vanity Fair.

Entertainment Weekly. Archived from the original on October 14, Retrieved March 23, Total Film. November 20, Archived from the original on February 20, Retrieved May 11, The studio wanted Winona Ryder.

Fincher wanted Garofalo, but she was "uncomfortable with the idea of all this sex". January 30,

Together the two men spiral out of control and engage in competitive rivalry for love and power. When the narrator is exposed to the hidden agenda of Tyler's fight club, he must accept the awful truth that Tyler may not be who he says he is.

Written by Rhiannon. Let's ignore the advice and talk about "Fight Club". This film was a milestone; although it bombed at the box office, Fincher's cinematic language left a mark that can still be felt now, 14 years later, on many current releases.

Despite the risky 'cutting edge' nature of the film, Fincher got a huge budget for this and it shows: the camera effects and the whole production design are amazing.

This movie has a raw energy that grips me every time I watch it. What a crazy, fun ride! Whether it is a very clever satire or pure testosterone going on a rampage - both are fine by me.

A film so visually stunning and sexy, with career best performances by all involved - welcome to movie heaven.

Sign In. Keep track of everything you watch; tell your friends. Full Cast and Crew. Release Dates. Official Sites. Company Credits.

Technical Specs. Plot Summary. Plot Keywords. Parents Guide. External Sites. User Reviews. User Ratings. External Reviews. Metacritic Reviews.

Photo Gallery. Trailers and Videos. Crazy Credits. Alternate Versions. Rate This. An insomniac office worker and a devil-may-care soapmaker form an underground fight club that evolves into something much, much more.

Director: David Fincher. Writers: Chuck Palahniuk novel , Jim Uhls screenplay. Watch on Prime Video included with Prime. Added to Watchlist.

From metacritic. What's New on Prime Video in June. Related News Agents of S. Top Movies Bucket List. Our Favorite '90s Movie Soundtracks.

Great Plot Twist. Great Movies. Amazingly overrated movies. Favorite s Films. Share this Rating Title: Fight Club 8. Use the HTML below.

You must be a registered user to use the IMDb rating plugin. The movies that are as good as the original books? What year did you register to IMDb movie-wise?

Top Rated Movies 11 Nominated for 1 Oscar. Edit Cast Cast overview, first billed only: Edward Norton The Narrator Brad Pitt Tyler Durden Meat Loaf Richard Chesler Richmond Arquette Intern David Andrews Thomas George Maguire Group Leader Eugenie Bondurant Weeping Woman Helena Bonham Carter Marla Singer Christina Cabot Speaker Rachel Singer Chloe Christie Cronenweth Airline Attendant Tim DeZarn Learn more More Like This.

Pulp Fiction Crime Drama. Tyler's initiatives and methods become dehumanizing; [18] he orders around the members of Project Mayhem with a megaphone similar to camp directors at Chinese re-education camps.

Fight Club examines Generation X angst as '"the middle children of history". Fincher described the Narrator's immersion: "It was just the idea of living in this fraudulent idea of happiness.

Fight Club also parallels the film Rebel Without a Cause ; both probe the frustrations of the people in the system. Norton said of the Beetle, "We smash it We're rooting for ball teams, but we're not getting in there to play.

We're so concerned with failure and success—like these two things are all that's going to sum you up at the end. The violence of the fight clubs serves not to promote or glorify combat, but for participants to experience feeling in a society where they are otherwise numb.

Isn't the point of fascism to say, 'This is the way we should be going'? But this movie couldn't be further from offering any kind of solution.

The novel Fight Club by Chuck Palahniuk was published in Before its publication, a Fox Searchlight Pictures book scout sent a galley proof of the novel to creative executive Kevin McCormick.

The executive assigned a studio reader to review the proof as a candidate for a film adaptation, but the reader discouraged it. McCormick then forwarded the proof to producers Lawrence Bender and Art Linson , who also rejected it.

Producers Josh Donen and Ross Bell saw potential and expressed interest. They arranged unpaid screen readings with actors to determine the script's length, and an initial reading lasted six hours.

The producers cut out sections to reduce the running time, and they used the shorter script to record its dialogue. Ziskin initially considered hiring Buck Henry to write the adaptation, finding Fight Club similar to the film The Graduate , which Henry had adapted.

When a new screenwriter, Jim Uhls , lobbied Donen and Bell for the job, the producers chose him over Henry. Bell contacted four directors to direct the film.

Bryan Singer received the book but did not read it. Danny Boyle met with Bell and read the book, but he pursued another film.

David Fincher , who had read Fight Club and had tried to buy the rights himself, talked with Ziskin about directing the film.

He hesitated to accept the assignment with 20th Century Fox at first because he had an unpleasant experience directing the film Alien 3 for the studio.

To repair his relationship with the studio, he met with Ziskin and studio head Bill Mechanic. Producer Art Linson, who joined the project late, met with Pitt regarding the same role.

Linson was the senior producer of the two, so the studio sought to cast Pitt instead of Crowe. For the role of the unnamed Narrator, the studio desired a "sexier marquee name" such as Matt Damon to increase the film's commercial prospects; it also considered Sean Penn.

Fincher instead considered Norton based on his performance in the film The People vs. Larry Flynt. Ripley and Man on the Moon. He was cast in Runaway Jury , but the film did not reach production.

He could not accept the offer immediately because he still owed Paramount Pictures a film; he had signed a contractual obligation with Paramount to appear in one of the studio's future films for a smaller salary.

Norton later satisfied the obligation with his role in the film The Italian Job. The pieces were restored after filming concluded.

Fincher's first choice for the role of Marla Singer was Janeane Garofalo , who objected to the film's sexual content.

Uhls started working on a draft of the adapted screenplay, which excluded a voice-over because the industry perceived at the time that the technique was "hackneyed and trite".

When Fincher joined the film, he thought that the film should have a voice-over, believing that the film's humor came from the Narrator's voice.

When Pitt was cast, he was concerned that his character, Tyler Durden, was too one-dimensional. Fincher sought the advice of writer-director Cameron Crowe , who suggested giving the character more ambiguity.

Fincher also hired screenwriter Andrew Kevin Walker for assistance. He invited Pitt and Norton to help revise the script, and the group drafted five revisions in the course of a year.

Palahniuk praised the faithful film adaptation of his novel and applauded how the film's plot was more streamlined than the book's.

Palahniuk recalled how the writers debated if film audiences would believe the plot twist from the novel. Fincher supported including the twist, arguing, "If they accept everything up to this point, they'll accept the plot twist.

If they're still in the theater, they'll stay with it. The Narrator finds redemption at the end of the film by rejecting Tyler Durden's dialectic, a path that diverged from the novel's ending in which the Narrator is placed in a mental institution.

Fincher refused, so Milchan threatened Mechanic that New Regency would withdraw financing. Mechanic sought to restore Milchan's support by sending him tapes of dailies from Fight Club.

After seeing three weeks of filming, Milchan reinstated New Regency's financial backing. The fight scenes were heavily choreographed, but the actors were required to "go full out" to capture realistic effects such as having the wind knocked out of them.

She designed an extra's ear to have cartilage missing, inspired by the boxing match in which Mike Tyson bit off part of Evander Holyfield 's ear.

Filming lasted days, [42] during which Fincher shot more than 1, rolls of film, three times the average for a Hollywood film.

Sets were also built in Century City. The interior was given a decayed look to illustrate the deconstructed world of the characters.

Fincher compared Fight Club to his subsequent, less complex film Panic Room : "I felt like I was spending all my time watching trucks being loaded and unloaded so I could shoot three lines of dialogue.

There was far too much transportation going on. Fincher used the Super 35 format to film Fight Club since it gave him maximum flexibility to compose shots.

He hired Jeff Cronenweth as cinematographer; Cronenweth's father Jordan Cronenweth had been cinematographer for Fincher's film Alien 3 , but left midway through production due to Parkinson's disease.

Fincher explored visual styles in his previous films Seven and The Game , and he and Cronenweth drew elements from these styles for Fight Club.

Fincher and Cronenweth applied a lurid style, choosing to make people "sort of shiny". The scenes with Tyler were described by Fincher as "more hyper-real in a torn-down, deconstructed sense—a visual metaphor of what [the Narrator is] heading into".

The filmmakers used heavily desaturated colors in the costuming, makeup, and art direction. Fincher and Cronenweth drew influences from the film American Graffiti , which applied a mundane look to nighttime exteriors while simultaneously including a variety of colors.

The crew took advantage of both natural and practical light. Fincher sought various approaches to the lighting setups; for example, he chose several urban locations for the city lights' effects on the shots' backgrounds.

The crew also embraced fluorescent lighting at other practical locations to maintain an element of reality and to light the prostheses depicting the characters' injuries.

Fight Club was filmed mostly at night, and Fincher filmed the daytime shots in shadowed locations. The crew equipped the bar's basement with inexpensive work lamps to create a background glow.

Fincher avoided stylish camerawork when filming early fight scenes in the basement and instead placed the camera in a fixed position.

In later fight scenes, Fincher moved the camera from the viewpoint of a distant observer to that of the fighter. The scenes with Tyler were staged to conceal that the character was a mental projection of the unnamed Narrator.

Tyler was not filmed in two shots with a group of people, nor was he shown in any over-the-shoulder shots in scenes where Tyler gives the Narrator specific ideas to manipulate him.

In scenes before the Narrator meets Tyler, the filmmakers inserted Tyler's presence in single frames for subliminal effect.

While Cronenweth generally rated and exposed the Kodak film stock normally on Fight Club , several other techniques were applied to change its appearance.

Flashing was implemented on much of the exterior night photography, the contrast was stretched to be purposely ugly, the print was adjusted to be underexposed , Technicolor 's ENR silver retention was used on a select number of prints to increase the density of the blacks, and high-contrast print stocks were chosen to create a "stepped-on" look on the print with a dirty patina.

Haug assigned the visual effects artists and experts to different facilities that each addressed different types of visual effects: CG modeling, animation, compositing, and scanning.

Haug explained, "We selected the best people for each aspect of the effects work, then coordinated their efforts. In this way, we never had to play to a facility's weakness.

Fincher also used previsualized footage of challenging main-unit and visual effects shots as a problem-solving tool to avoid making mistakes during the actual filming.

The film's title sequence is a second visual effects composition that depicts the inside of the Narrator's brain at a microscopic level; the camera pulls back to the outside, starting at his fear center and following the thought processes initiated by his fear impulse.

The company mapped the computer-generated brain using an L-system , [47] and the design was detailed using renderings by medical illustrator Katherine Jones.

The pullback sequence from within the brain to the outside of the skull included neurons , action potentials , and a hair follicle.

Haug explained the artistic license that Fincher took with the shot, "While he wanted to keep the brain passage looking like electron microscope photography , that look had to be coupled with the feel of a night dive—wet, scary, and with a low depth of field.

Midway through the film, Tyler Durden points out the cue mark —nicknamed "cigarette burn" in the film—to the audience. The scene represents a turning point that foreshadows the coming rupture and inversion of the "fairly subjective reality" that existed earlier in the film.

Fincher explained: "Suddenly it's as though the projectionist missed the changeover, the viewers have to start looking at the movie in a whole new way.

Fincher was concerned that bands experienced in writing film scores would be unable to tie the themes together, so he sought a band which had never recorded for film.

He pursued Radiohead , [12] but singer Thom Yorke declined as he was recovering from the stress of promoting their album OK Computer.

Dust Brothers performer Michael Simpson explained the setup: "Fincher wanted to break new ground with everything about the movie, and a nontraditional score helped achieve that.

Filming concluded in December , and Fincher edited the footage in early to prepare Fight Club for a screening with senior executives.

They did not receive the film positively and were concerned that there would not be an audience for the film.

The studio further delayed the film's release, this time to autumn, citing a crowded summer schedule and a hurried post-production process.

Marketing executives at Fox Searchlight Pictures faced difficulties in marketing Fight Club and at one point considered marketing it as an art film.

They considered that the film was primarily geared toward male audiences because of its violence and believed that not even Pitt would attract female filmgoers.

Research testing showed that the film appealed to teenagers. The firm proposed a bar of pink soap with the title "Fight Club" embossed on it as the film's main marketing image; the proposal was considered "a bad joke" by Fox executives.

Fincher also released two early trailers in the form of fake public service announcements presented by Pitt and Norton; the studio did not think the trailers marketed the film appropriately.

The studio advertised Fight Club on cable during World Wrestling Federation broadcasts, which Fincher protested, believing that the placement created the wrong context for the film.

Despite the film's top placement, its opening gross fell short of the studio's expectations. The British Board of Film Classification reviewed Fight Club for its November 12, release in the United Kingdom and removed two scenes involving "an indulgence in the excitement of beating a defenseless man's face into a pulp".

The board assigned the film an 18 certificate, limiting the release to adult-only audiences in the UK. The BBFC did not censor any further, considering and dismissing claims that Fight Club contained "dangerously instructive information" and could "encourage anti-social behavior ".

The board decided, "The film as a whole is—quite clearly—critical and sharply parodic of the amateur fascism which in part it portrays.

Its central theme of male machismo and the anti-social behaviour that flows from it is emphatically rejected by the central character in the concluding reels.

Fincher supervised the composition of the DVD packaging and was one of the first directors to participate in a film's transition to home media.

The film was released in two DVD editions. Julie Markell, 20th Century Fox's senior vice president of creative development, said the DVD packaging complemented Fincher's vision: "The film is meant to make you question.

The package, by extension, tries to reflect an experience that you must experience for yourself. The more you look at it, the more you'll get out of it.

The title "Fight Club" was labeled diagonally across the front, and packaging appeared tied with twine. Markell said, "We wanted the package to be simple on the outside, so that there would be a dichotomy between the simplicity of brown paper wrapping and the intensity and chaos of what's inside.

The Laserdisc edition was only released in Japan on May 26, [77] and features a different cover art, as well as one of the very few Dolby EX soundtracks released on LD.

It includes a featurette after the film, "Behind the Brawl". Fincher got permission from Barrymore to include the fake menu screen.

A newspaper reported, "Many loved and hated it in equal measures. Writing for the Australian newspaper, Christopher Goodwin stated: " Fight Club is shaping up to be the most contentious mainstream Hollywood meditation on violence since Stanley Kubrick 's A Clockwork Orange.

She wrote that Fight Club carried a message of "contemporary manhood", and that, if not watched closely, the film could be misconstrued as an endorsement of violence and nihilism.

Water, even when it's polluted, is the source of life; blood, even when it's carelessly spilled, is the symbol of life being fully lived.

To put his point simply: it's better to be wet than dry. Cineaste ' s Gary Crowdus reviewed the critical reception in retrospect: "Many critics praised Fight Club , hailing it as one of the most exciting, original, and thought-provoking films of the year.

They felt such scenes served only as a mindless glamorization of brutality, a morally irresponsible portrayal, which they feared might encourage impressionable young male viewers to set up their own real-life fight clubs in order to beat each other senseless.

The site's consensus reads, "Solid acting, amazing direction, and elaborate production design make Fight Club a wild ride.

Fight Club was one of the most controversial and talked-about films of the s. Like other films Magnolia , Being John Malkovich , and Three Kings , Fight Club was recognized as an innovator in cinematic form and style since it exploited new developments in filmmaking technology.

Following Fight Club ' s release, several fight clubs were reported to have started in the United States. A "Gentleman's Fight Club" was started in Menlo Park, California in and had members mostly from the tech industry.

In , an unwilling participant from a local high school was injured at a fight club in Arlington, Texas , and the DVD sales of the fight led to the arrest of six teenagers.

Helder's goal was to create a smiley pattern on the map of the United States, similar to the scene in Fight Club in which a building is vandalized to have a smiley on its exterior.

The fights were reportedly filmed and uploaded to Snapchat , and involved approximately a "dozen boys and girls". In the videos, one of the perpetrators, Erica Kenny, can be heard making references to Fight Club.

A video game adaptation of the film, titled Fight Club , was released by Vivendi in for the PlayStation 2 , Xbox , and for mobile phones.

The game was a critical and commercial failure, and was panned by such publications and websites as GameSpot , Game Informer , and IGN.

In , two viral mash-up videos featuring Fight Club were released. It portrayed Ferris as Tyler Durden and Cameron as the narrator, "claiming to see the real psychological truth behind the John Hughes classic".

From Wikipedia, the free encyclopedia. This article is about the film. For the novel the film is based on, see Fight Club novel. For other uses, see Fight Club disambiguation.

Theatrical release poster. Brad Pitt left in and Edward Norton right in For academic interpretations of the film, see Interpretations of Fight Club.

We're designed to be hunters and we're in a society of shopping. There's nothing to kill anymore, there's nothing to fight, nothing to overcome, nothing to explore.

In that societal emasculation this everyman [the Narrator] is created. We decided early on that I would start to starve myself as the film went on, while [Brad Pitt] would lift and go to tanning beds; he would become more and more idealized as I wasted away.

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Toronto Sun. Archived from the original on December 11, Retrieved May 13, Retrieved November 30, Vanity Fair. Entertainment Weekly.

Archived from the original on October 14, Retrieved March 23, Total Film. November 20, Archived from the original on February 20, Retrieved May 11, The studio wanted Winona Ryder.

Fincher wanted Garofalo, but she was "uncomfortable with the idea of all this sex". January 30, Retrieved January 30, October 29, Archived from the original on February 5, Los Angeles Magazine.

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I don't know how people know our music now.

Inan unwilling participant from a local high school was injured at a fight club in Arlington, Texasand the DVD sales of the fight led to the arrest of film slugs teenagers. September 11, Source Herald. Fincher also released two early kinox fallen deutsch london stream has in the form of fake public service announcements presented by Pitt and Norton; the studio fight filme not think the trailers marketed the film appropriately. Fincher explained: "Suddenly it's click though the projectionist missed the changeover, the viewers have to start looking at the movie click here a whole see more way. The crew equipped the bar's basement with inexpensive work lamps to create a background glow. What a crazy, fun ride! The Narrator Brad Pitt For the novel the film is based on, see Fight Club novel. fight club film

Fight Club Film Video

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