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In preparing for filming, the producers found that the cost of production in the New York City area would be prohibitive, and it was also going to be difficult to find locations there that resembled the early s.

Part of the financing plan hinged upon a co-production deal with Canada, with filming taking place in Montreal, but Haynes joining the production led to a rethink.

Karlsen recalled making a film 27 years earlier in Cincinnati , Ohio , that was set in s New York. After researching the city, she found that it had not changed much in decades, with Ohio also having one of the best film tax incentives in the U.

The city of Cincinnati was very accommodating to the production, which employed many locals as crew.

In December , it was announced that Carol would be filmed in Cincinnati, Ohio, and that production offices would open in early January , with filming expected between mid-March and May.

Post-production in New York took seven months to complete. Visual effects VFX were used to remove modern components from backgrounds, with six "key shots" needing extensive VFX.

Moving shots were particularly complicated when they were filtered through windows, rain, dust, and other elements, said Haynes, and the CGI details "had to fit exactly into the vernacular itself, with the grain element and level of distress.

The producers gave notes on the director's cut, and held some test screenings with friends and acquaintances. They decided to show the cut to Harvey Weinstein , who was impressed and endorsed it.

Haynes confirmed the completion of deliverables on December 15, It was just a paring-down process, which all movies do.

Carol had its world premiere at the Cannes Film Festival. Originally scheduled for a December 18 release in the United States, Carol opened in limited release on November 20, Its CEO stated that it was "a huge challenge because of the federal 'gay propaganda' law that victimizes the Russian LGBT community", that "will prevent Carol [being] sold to major TV channels or even being advertised on federal networks".

He noted that "some cinemas will refuse to book the film", but "the controversy Carol was made available for digital download on March 4, Carol received a ten-minute standing ovation at its Cannes Film Festival international press screening and premiere.

Critics praised Haynes's direction, Blanchett's and Mara's performances, cinematography, costumes and musical score, and deemed it a strong contender for a Cannes award.

The website's critical consensus states: "Shaped by Todd Haynes' deft direction and powered by a strong cast led by Cate Blanchett and Rooney Mara, Carol lives up to its groundbreaking source material.

In this enjoyably deliberate film, each shot and scene is carefully composed to pay homage to 50s cinema, yet infused with an emotional ambiguity which feels decidedly contemporary.

This is filmmaking done by masters, an experience to savor. Scott wrote in The New York Times : "At once ardent and analytical, cerebral and swooning, 'Carol' is a study in human magnetism, in the physics and optics of eros.

With sparse dialogue and restrained drama, the film is a symphony of angles and glances, of colors and shadows.

It is a film composed of gestures and glances, its delicacy a veiled promise of abandon. And it could not exist without the extraordinary performances of Blanchett and Mara.

Geoffrey Macnab of The Independent said: "Todd Haynes's latest feature is a subtle, moving and deceptive story of two women brilliantly played in very contrasting styles by Cate Blanchett and Rooney Mara who refuse to live against 'their own grain' Phyllis Nagy's screenplay emphasises their steeliness and self-reliance.

In sly and subversive fashion, Haynes is laying bare the tensions in a society that refuses to acknowledge 'difference' of any sort.

Cinematographer Ed Lachman shot on Super 16 mm film to achieve era-specific muted colours and softer textures.

Precise production design and a palette steeped in shades of green and red appropriate to the Yuletide setting make watching it seem like stepping inside an Edward Hopper painting.

From Phyllis Nagy's alluringly uncluttered script to Cate Blanchett's sturdily tremulous performance as a society woman with everything to lose, this brilliantly captures the thrills, tears and fears of forbidden love.

Writing for Variety , Justin Chang said: "despite their obvious differences in class and background, Therese and Carol seem to ease themselves and the audience so quickly and naturally into a bond that they have no interest in defining, or even really discussing—a choice that works not only for an era when their love dared not speak its name, but also for Haynes' faith in the power of the medium to achieve an eloquence beyond words.

As a period piece, the movie immerses us in s styles and attitudes. As a sensory experience, it dazzles with everything from rain-streaked windows to Therese's plaid tam-o-shanter Haynes powerfully addresses the consequences of ignorance and intolerance.

Impressively textured, the drama is filled with secret glances and other subtle aspects of forbidden love. Working from a carefully crafted script by Phyllis Nagy, Haynes portrays two people thirstily drinking each other in, while on the outside, they sip tea and cocktails with prim decorum.

Blanchett, a dream walking in Sandy Powell's frocks, delivers a master class in acting. And Mara is flawless It's a human one. In a series of articles regarding the best of the s in film , IndieWire ranked Carol as the seventh-best film of the decade; Cate Blanchett's performance of the titular character as the second-best acting performance; the opening scene as the sixth-best film scene; and Carter Burwell's score as the second-best film score.

Carol has received over industry and critic nominations, and over 90 awards and honours. It also creates its own unique cinematic language and pulls the viewer deeper and deeper into a world where something as simple as love comes at a staggering cost.

Its delicate and precise exploration of emotion through color and light led us to discuss what it meant to achieve mastery of our craft.

CAROL sets the screen aglow with the light of longing as Cate Blanchett and Rooney Mara transform a period piece into a timeless cry from defiant hearts.

Todd Haynes serves their romance as a restorative cocktail, adding splashes of color to a repressive Eisenhower era, when love was often seen in black-and-white.

From luminous performances to sumptuous production, this is cinema's promise fulfilled—a haunting portrait in moving images, painted in the universal hues of heartache and passion.

In March , the British Film Institute named Carol the best LGBT film of all time, according to over one hundred film experts in a poll encompassing over eighty years of cinema.

Scott remarking, "It keeps taking me by surprise. The admiration of Carol resulted in a fandom community that has been referred to as the "Cult of Carol".

Club said that despite the film having been considered a "lock" for a Best Picture nomination, the omission "shouldn't have been a major shock" given the controversy over Brokeback Mountain 's loss a decade earlier.

At HitFix , Louis Virtel suggested that Academy members' reception of the film was hurt by its focus on self-determined women. Snarker agreed that Carol may be too gay and too female "for the largely old white male voting base" to connect with.

At The Advocate , Rebekah Allen argued that "there are those who simply do not want to see a lesbian love story on screen. The omission from Best Picture, she concluded, illustrates "yet again how sexism operates in the world, and in the Academy specifically, as the refusal to see women as protagonists and agents of desire.

The Weinstein Company decided on the category placement to avoid the co-leads competing in the same category.

In January , ABC rejected a prime time commercial featuring a snippet of the nude scene between Carol and Therese, which caused The Weinstein Company to re-edit the television trailer.

From Wikipedia, the free encyclopedia. North American theatrical release poster. Number 9 Films [1] Film4 [1] Killer Films [1].

StudioCanal The Weinstein Company. United Kingdom [2] United States [2]. What still strikes me now [about the novel], is how radical it was in terms of its overall conception—two central figures not giving a rat's ass about sexual identity.

No one frets about being gay; others fret on their behalf I also found Highsmith's notions of what makes a good mother to be quite radical—the choices that people have to make in order to make the lives of their children better seemed really fresh, and radical.

And still do, to this day, actually. Main article: Carol soundtrack. Main article: List of accolades received by Carol film. And it made a real direct impact on some changes in the structure of the story.

So we repeat that same structure in Brief Encounter that begins and ends with the same scene. The difference is that in Brief Encounter you realize that this is Celia Johnson's story.

She goes home and begins to recount this experience to her husband. And you come full circle and then you realize what that conversation that was interrupted in the beginning of the film meant.

And in this case we do the same thing, but you also shift point of views by the end of Carol , so by the time we come back, it's no longer Therese that's in the vulnerable position, but Carol.

It wasn't possible. So I just waited and waited. It took a good 10 years before the rights were free. The film was pre-sold to them at Cannes five years ago, nearly two years before we finally went into production.

One of the non negotiable terms of the distribution agreement, which was a standard term for TWC and Miramax distribution agreements, was an Executive Producer credit for Harvey Weinstein.

Indeed, EP credits for financiers, sales agents and distributors in key territories is industry standard.

He was NOT a producer on the film. Neither he nor TWC were involved in the development of the film nor had any script, editorial, casting or other type of creative involvement in the film whatsoever.

They acted solely as distributors. Had we had an offer equal to or greater than the TWC offer for US distribution rights we would have taken it, but we didn't.

This is a frequent and frustrating misrepresentation of Harvey Weinstein and his role—he was a distributor, who stole the producing credit as well as the financial rewards from the actual producers who sourced, developed, filmed and fully created the work as we did with CAROL.

He simply released and distributed it into cinemas. At one time he headed a great distribution company.

American Film Institute. Retrieved December 3, British Film Institute. The Hollywood Reporter. Retrieved September 27, The Numbers. Nash Information Services.

Archived from the original on December 22, Retrieved May 21, New York. Retrieved February 1, Retrieved February 21, The New Yorker.

The Daily Telegraph. Martin's Press. The Telegraph. Retrieved March 6, The Guardian. Twitch Film.

Archived from the original on November 21, Retrieved December 14, Interviewed by David Poland.

Retrieved May 24, Vanity Fair. December 2, Creative Screenwriting. Retrieved December 2, Archived from the original on October 25, Retrieved June 1, Retrieved May 15, London Evening Standard.

Retrieved March 18, The Huffington Post. Los Angeles Times. It's a state of normal ' ". Lambda Literary. Retrieved April 14, We Are UK Film.

May 17, Archived from the original on October 30, Retrieved May 27, Retrieved April 3, Screen Daily. October 14, London Film Festival.

Retrieved October 19, — via YouTube. Interviewed by Noah Cowan. Jewish Community Center of San Francisco. Deadline Hollywood.

Archived from the original on April 17, Retrieved April 17, Retrieved May 29, Retrieved April 16, Retrieved February 22, The Weinstein Company Acquires U.

Retrieved December 10, Retrieved May 3, May 24, The Advocate. Retrieved May 28, Retrieved December 9, USA Today.

Retrieved October 13, Retrieved February 28, Screen International at Cannes Film Festival. London, England: Media Business Insight. May 16, Retrieved May 16, Published May 14, on issuu.

Retrieved May 17, The New York Times. Retrieved May 25, Festival de Cannes Officiel via YouTube. Retrieved May 22, Retrieved October 31, Archived from the original on April 23, Archived from the original on April 18, Archived from the original on March 7, Retrieved April 10, Retrieved April 9, Archived from the original on January 31, Retrieved August 30, Retrieved May 30, Film Doctor.

February 1, Retrieved February 2, Retrieved May 6, New Statesman. Retrieved July 26, The Cincinnati Enquirer.

Retrieved March 13, February 5, Archived from the original on February 9, Retrieved March 21, Archived from the original on March 21, Goldcrest Films.

March 10, Archived from the original on April 3, Retrieved April 1, Archived from the original on April 16, Entertainment Weekly.

Retrieved September 3, Cincinnati Magazine. Bloomberg Pursuits. The Daily Beast. Retrieved November 24, French Society of Cinematographers.

Retrieved October 11, American Cinematographer. American Society of Cinematographers. Retrieved March 7, The Film Stage. Retrieved March 19, Paste Magazine.

Retrieved January 21, Retrieved March 29, Retrieved December 27, Retrieved August 15, — via YouTube. Retrieved March 2, Retrieved May 2, Philly Voice.

October 21, Retrieved November 14, Retrieved June 24, Archived from the original on November 27, Retrieved November 23, The Playlist column.

Archived from the original on December 8, Retrieved January 28, Festival de Cannes. April 15, May 6, Archived from the original on June 26, Retrieved May 8, Archived from the original PDF on May 18, Telluride Film Festival.

Archived from the original PDF on September 5, Retrieved April 22, Archived from the original on September 6, Retrieved September 4, Film Society of Lincoln Center.

Retrieved August 16, August 17, Retrieved August 20, Retrieved November 30, Jake Lacy. Carrie Brownstein. John Magaro. Giedre Bond.

Kk Heim. Sadie Heim. Jim Dougherty. Kevin Crowley. Trent Rowland. Douglas Scott Sorenson. Todd Haynes.

Phyllis Nagy. Dorothy Berwin. Elizabeth Karlsen. Edward Lachman. Carter Burwell. Alle anzeigen. Carol - Trailer Deutsch HD.

Carol - Trailer 2 Deutsch HD. Videos anzeigen Bilder anzeigen. Nutzer haben sich diesen Film vorgemerkt. Nutzer haben kommentiert.

Kommentare zu Carol werden geladen Kommentar speichern. Filme wie Carol. The Danish Girl. Was vom Tage übrig blieb. Ein ganzes halbes Jahr.

Der englische Patient. Sinn und Sinnlichkeit. Velvet Goldmine. Victoria, die junge Königin.

carol deutsch stream Aus dem Buch auf die Leinwand: erst lesen - dann sehen von Gosiline. Retrieved May visit web page, Die Dreharbeiten begannen am Works directed by Todd Haynes. Retrieved March 21, Therese visits Dannie click at this page he kisses her, but she becomes uncomfortable and leaves. The film is co-produced by New York-based Killer Filmswhich joined the project in after Haynes's collaborator Christine Vachon approached him to direct. May 16, He was NOT a producer on the film.

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